Academy Award for Best Original Score
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer.[1] Some pre-existing music is allowed, though, but a contending film must include a minimum of original music. This minimum since 2021 is established as 35% of the music, which is raised to 80% for sequels and franchise films.[2] Fifteen scores are shortlisted before nominations are announced.
| Academy Award for Best Original Score | |
|---|---|
![]() 2023 award winner: Ludwig Göransson | |
| Country | United States |
| Presented by | Academy of Motion Picture Arts and Sciences |
| First awarded | February 27, 1935 |
| Most recent winner | Ludwig Göransson Oppenheimer (2023) |
| Most awards | Alfred Newman (9) |
| Most nominations | John Williams (48) |
| Website | oscars |
History
The Academy began awarding movies for their scores in 1935. The category was originally called Best Scoring. At the time, winners and nominees were a mix of original scores and adaptations of pre-existing material. Following the controversial win of Charles Previn for One Hundred Men and a Girl in 1938, a film without a credited composer that featured pre-existing classical music, the Academy added a Best Original Score category in 1939.[3] In 1942, the distinction between the two Scoring categories changed slightly as they were renamed to Best Music Score of a Dramatic Picture and Best Scoring of a Musical Picture.[4] This marked the first time the category was split into separate genres, a distinction that technically still lasts today, although there haven't been enough submissions for the musical category to be activated since 1985. From 1942 to 1985, musical scores had their own category, with the exception of 1958, 1981, and 1982. During that time, both categories had many name changes:
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Following the wins of four Walt Disney Feature Animation films in six years from 1990 to 1995 (The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King) during a period called the Disney Renaissance, it was decided to once again split the Best Original Score category by genres, this time by combining comedies and musicals together. As Alan Bergman, the chairman of the Academy's music branch said, "People were voting for the songs, not the underscores. We felt that Academy members outside the music branch didn't distinguish between the two. So when a score like The Lion King is competing against a drama like Forrest Gump, it's apples and oranges – not in the quality of the score, but in the way it functions in the movie. There's a big difference."[5] The category was therefore split into Best Original Dramatic Score and Best Original Musical or Comedy Score in 1996. This change proved unpopular in the other branches of the Academy as Charles Bernstein, chairman of the Academy's rules committee, noted that "no other Oscar category depended on a film's genre" and "the job of composing an underscore for a romantic comedy is not substantially different from working on a heavy drama."[5] This split was reverted in 2000.
In 2020, rules were changed to require that a film's score include a minimum of 60% original music. Franchise films and sequels must include a minimum of 80% new music.[6] In 2021, the rules were changed again, lowering the minimum percentage of original music from 60% to 35% of the total music in the film.[7]
Academy Award for Best Original Musical
The Academy Award for Best Original Musical is a category that was re-established in 2000 after the Best Original Musical or Comedy Score category was retired. It has never been awarded in its present form due to a prolonged drought of films meeting the sufficient eligibility requirements. The Music Branch Executive Committee of the Academy decides whether there are enough quality submissions to justify its activation.[8]
According to the rules, the Best Original Musical is defined as follows:
An original musical consists of not fewer than five original songs by the same writer or team of writers, either used as voiceovers or visually performed. Each of these songs must be substantively rendered, clearly audible, intelligible, and must further the storyline of the motion picture. An arbitrary group of songs unessential to the storyline will not be considered eligible.[8]
Winners and nominees
The following is the list of nominated composers organized by year, and listing both films and composers. The years shown in the following list of winners are the production years, thus a reference to 1967 means the Oscars presented in 1968 for films released in 1967.
1930s
| Year | Film | Nominees |
|---|---|---|
| 1934 (7th) [note 1] |
One Night of Love | Columbia Studio Music Department, Louis Silvers, head of department (Thematic music by Victor Schertzinger and Gus Kahn) |
| The Gay Divorcee | RKO Radio Studio Music Department, Max Steiner, head of department (Score by Kenneth Webb and Sam Hoffenstein) | |
| The Lost Patrol | RKO Radio Studio Music Department, Steiner, head of department (Score by Steiner) | |
| 1935 (8th) | ||
| The Informer | RKO Radio Studio Music Department, Max Steiner, head of department (Score by Steiner) | |
| Captain Blood (write-in)[note 2][9] | Warner Bros.-First National Studio Music Department, Leo F. Forbstein, head of department (Score by Erich Wolfgang Korngold) | |
| Mutiny on the Bounty | Metro-Goldwyn-Mayer Studio Music Department, Nat W. Finston, head of department (Score by Herbert Stothart) | |
| Peter Ibbetson | Paramount Studio Music Department, Irvin Talbot, head of department (Score by Ernst Toch) | |
| 1936 (9th) | ||
| Anthony Adverse | Warner Bros. Studio Music Department, Leo F. Forbstein, head of department (Score by Erich Wolfgang Korngold) | |
| The Charge of the Light Brigade | Warner Bros. Studio Music Department, Forbstein, head of department (Score by Max Steiner) | |
| The Garden of Allah | Selznick International Pictures Music Department, Steiner, head of department (Score by Steiner) | |
| The General Died at Dawn | Paramount Studio Music Department, Boris Morros, head of department (Score by Werner Janssen) | |
| Winterset | RKO Radio Studio Music Department, Nathaniel Shilkret, head of department (Score by Shilkret) | |
| 1937 (10th) [note 3] | ||
| One Hundred Men and a Girl | Universal Studio Music Department, Charles Previn, head of department (no composer credit) | |
| The Hurricane | Samuel Goldwyn Studio Music Department, Alfred Newman, head of department (Score by Newman) | |
| In Old Chicago | 20th Century-Fox Studio Music Department, Louis Silvers, head of department (no composer credit) | |
| The Life of Emile Zola | Warner Bros. Studio Music Department, Leo F. Forbstein, head of department (Score by Max Steiner) | |
| Lost Horizon | Columbia Studio Music Department, Morris Stoloff, head of department (Score by Dimitri Tiomkin) | |
| Make a Wish | Principal Productions, Hugo Riesenfeld, head of department (Score by Riesenfeld) | |
| Maytime | Metro-Goldwyn-Mayer Studio Music Department, Nat W. Finston, head of department (Score by Herbert Stothart) | |
| Portia on Trial | Republic Studio Music Department, Alberto Colombo, head of department (Score by Colombo) | |
| The Prisoner of Zenda | Selznick International Pictures Music Department, Alfred Newman, head of department (Score by Newman) | |
| Quality Street | RKO Radio Studio Music Department, Roy Webb, head of department (Score by Webb) | |
| Snow White and the Seven Dwarfs | Walt Disney Studio Music Department, Leigh Harline, head of department (Score by Frank Churchill, Harline and Paul Smith) | |
| Something to Sing About | Grand National Studio Music Department, Constantin Bakaleinikoff, head of department (Score by Victor Schertzinger) | |
| Souls at Sea | Paramount Studio Music Department, Boris Morros, head of department (Score by W. Franke Harling and Milan Roder) | |
| Way Out West | Hal Roach Studio Music Department, Marvin Hatley, head of department (Score by Hatley) | |
| 1938 (11th) | ||
| Original Score | ||
| The Adventures of Robin Hood | Erich Wolfgang Korngold | |
| Army Girl | Victor Young | |
| Block-Heads | Marvin Hatley | |
| Blockade | Werner Janssen | |
| Breaking the Ice | Victor Young | |
| The Cowboy and the Lady | Alfred Newman | |
| If I Were King | Richard Hageman | |
| Marie Antoinette | Herbert Stothart | |
| Pacific Liner | Russell Bennett | |
| Suez | Louis Silvers | |
| The Young in Heart | Franz Waxman | |
| Scoring | ||
| Alexander's Ragtime Band | Alfred Newman | |
| Carefree | Victor Baravalle | |
| Girls' School | Morris Stoloff and Gregory Stone | |
| The Goldwyn Follies | Alfred Newman | |
| Jezebel | Max Steiner | |
| Mad About Music | Charles Previn and Frank Skinner | |
| Storm Over Bengal | Cy Feuer | |
| Sweethearts | Herbert Stothart | |
| There Goes My Heart | Marvin Hatley | |
| Tropic Holiday | Boris Morros | |
| The Young in Heart | Franz Waxman | |
| 1939 (12th) | ||
| Original Score | ||
| The Wizard of Oz | Herbert Stothart | |
| Dark Victory | Max Steiner | |
| Eternally Yours | Werner Janssen | |
| Golden Boy | Victor Young | |
| Gone with the Wind | Max Steiner | |
| Gulliver's Travels | Victor Young | |
| The Man in the Iron Mask | Lud Gluskin and Lucien Moraweck | |
| Man of Conquest | Victor Young | |
| Nurse Edith Cavell | Anthony Collins | |
| Of Mice and Men | Aaron Copland | |
| The Rains Came | Alfred Newman | |
| Wuthering Heights | ||
| Scoring | ||
| Stagecoach | Richard Hageman, W. Franke Harling, John Leipold and Leo Shuken | |
| Babes in Arms | Roger Edens and Georgie Stoll | |
| First Love | Charles Previn | |
| The Great Victor Herbert | Phil Boutelje and Arthur Lange | |
| The Hunchback of Notre Dame | Alfred Newman | |
| Intermezzo | Louis Forbes | |
| Mr. Smith Goes to Washington | Dimitri Tiomkin | |
| Of Mice and Men | Aaron Copland | |
| The Private Lives of Elizabeth and Essex | Erich Wolfgang Korngold | |
| She Married a Cop | Cy Feuer | |
| Swanee River | Louis Silvers | |
| They Shall Have Music | Alfred Newman | |
| Way Down South | Victor Young | |
1940s
| Year | Film | Nominees |
|---|---|---|
| 1940 (13th) |
Original Score | |
| Pinocchio | Leigh Harline, Paul Smith and Ned Washington | |
| Arizona | Victor Young | |
| Dark Command | ||
| The Fight for Life | Louis Gruenberg | |
| The Great Dictator | Meredith Willson | |
| The House of the Seven Gables | Frank Skinner | |
| The Howards of Virginia | Richard Hageman | |
| The Letter | Max Steiner | |
| The Long Voyage Home | Richard Hageman | |
| The Mark of Zorro | Alfred Newman | |
| My Favorite Wife | Roy Webb | |
| North West Mounted Police | Victor Young | |
| One Million B.C. | Werner Heymann | |
| Our Town | Aaron Copland | |
| Rebecca | Franz Waxman | |
| The Thief of Bagdad | Miklós Rózsa | |
| Waterloo Bridge | Herbert Stothart | |
| Scoring | ||
| Tin Pan Alley | Alfred Newman | |
| Arise, My Love | Victor Young | |
| Hit Parade of 1941 | Cy Feuer | |
| Irene | Anthony Collins | |
| Our Town | Aaron Copland | |
| The Sea Hawk | Erich Wolfgang Korngold | |
| Second Chorus | Artie Shaw | |
| Spring Parade | Charles Previn | |
| Strike Up the Band | Roger Edens and Georgie Stoll | |
| 1941 (14th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| The Devil and Daniel Webster | Bernard Herrmann | |
| Back Street | Frank Skinner | |
| Ball of Fire | Alfred Newman | |
| Cheers for Miss Bishop | Edward Ward | |
| Citizen Kane | Bernard Herrmann | |
| Dr. Jekyll and Mr. Hyde | Franz Waxman | |
| Hold Back the Dawn | Victor Young | |
| How Green Was My Valley | Alfred Newman | |
| King of the Zombies | Edward Kay | |
| Ladies in Retirement | Morris Stoloff and Ernst Toch | |
| The Little Foxes | Meredith Willson | |
| Lydia | Miklós Rózsa | |
| Mercy Island | Cy Feuer and Walter Scharf | |
| Sergeant York | Max Steiner | |
| So Ends Our Night | Louis Gruenberg | |
| Sundown | Miklós Rózsa | |
| Suspicion | Franz Waxman | |
| Tanks a Million | Edward Ward | |
| That Uncertain Feeling | Werner Heymann | |
| This Woman Is Mine | Richard Hageman | |
| Scoring of a Musical Picture | ||
| Dumbo | Frank Churchill and Oliver Wallace | |
| All-American Co-Ed | Edward Ward | |
| Birth of the Blues | Robert E. Dolan | |
| Buck Privates | Charles Previn | |
| The Chocolate Soldier | Herbert Stothart and Bronisław Kaper | |
| Ice-Capades | Cy Feuer | |
| The Strawberry Blonde | Heinz Roemheld | |
| Sun Valley Serenade | Emil Newman | |
| Sunny | Anthony Collins | |
| You'll Never Get Rich | Morris Stoloff | |
| 1942 (15th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| Now, Voyager | Max Steiner | |
| Arabian Nights | Frank Skinner | |
| Bambi | Frank Churchill (p.n.) and Edward Plumb | |
| The Black Swan | Alfred Newman | |
| The Corsican Brothers | Dimitri Tiomkin | |
| Flying Tigers | Victor Young | |
| The Gold Rush | Max Terr | |
| I Married a Witch | Roy Webb | |
| Joan of Paris | ||
| Jungle Book | Miklós Rózsa | |
| Klondike Fury | Edward Kay | |
| The Pride of the Yankees | Leigh Harline | |
| Random Harvest | Herbert Stothart | |
| The Shanghai Gesture | Richard Hageman | |
| Silver Queen | Victor Young | |
| Take a Letter, Darling | ||
| The Talk of the Town | Friedrich Hollaender and Morris Stoloff | |
| To Be or Not to Be | Werner Heymann | |
| Scoring of a Musical Picture | ||
| Yankee Doodle Dandy | Ray Heindorf and Heinz Roemheld | |
| Flying with Music | Edward Ward | |
| For Me and My Gal | Roger Edens and Georgie Stoll | |
| Holiday Inn | Robert E. Dolan | |
| It Started with Eve | Hans J. Salter and Charles Previn | |
| Johnny Doughboy | Walter Scharf | |
| My Gal Sal | Alfred Newman | |
| You Were Never Lovelier | Leigh Harline | |
| 1943 (16th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| The Song of Bernadette | Alfred Newman | |
| The Amazing Mrs. Holliday | Frank Skinner and Hans J. Salter | |
| Casablanca | Max Steiner | |
| Commandos Strike at Dawn | Morris Stoloff and Louis Gruenberg | |
| The Fallen Sparrow | Roy Webb and Constantin Bakaleinikoff | |
| For Whom the Bell Tolls | Victor Young | |
| Hangmen Also Die! | Hanns Eisler | |
| Hi Diddle Diddle | Phil Boutelje | |
| In Old Oklahoma | Walter Scharf | |
| Johnny Come Lately | Leigh Harline | |
| The Kansan | Gerard Carbonara | |
| Lady of Burlesque | Arthur Lange | |
| Madame Curie | Herbert Stothart | |
| The Moon and Sixpence | Dimitri Tiomkin | |
| The North Star | Aaron Copland | |
| Victory Through Air Power | Edward Plumb, Paul Smith and Oliver Wallace | |
| Scoring of a Musical Picture | ||
| This Is the Army | Ray Heindorf | |
| Coney Island | Alfred Newman | |
| Hit Parade of 1943 | Walter Scharf | |
| Phantom of the Opera | Edward Ward | |
| Saludos Amigos | Edward Plumb, Paul Smith and Charles Wolcott | |
| The Sky's the Limit | Leigh Harline | |
| Something to Shout About | Morris Stoloff | |
| Stage Door Canteen | Fred Rich | |
| Star Spangled Rhythm | Robert E. Dolan | |
| Thousands Cheer | Herbert P. Stothart | |
| 1944 (17th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| Since You Went Away | Max Steiner | |
| Address Unknown | Morris Stoloff and Ernst Toch | |
| The Adventures of Mark Twain | Max Steiner | |
| The Bridge of San Luis Rey | Dimitri Tiomkin | |
| Casanova Brown | Arthur Lange | |
| Christmas Holiday | Hans J. Salter | |
| Double Indemnity | Miklós Rózsa | |
| The Fighting Seabees | Walter Scharf and Roy Webb | |
| The Hairy Ape | Michel Michelet and Edward Paul | |
| It Happened Tomorrow | Robert Stolz | |
| Jack London | Fred Rich | |
| Kismet | Herbert Stothart | |
| None but the Lonely Heart | Constantin Bakaleinikoff and Hanns Eisler | |
| The Princess and the Pirate | David Rose | |
| Summer Storm | Karl Hajos | |
| Three Russian Girls | Franke Harling | |
| Up in Mabel's Room | Edward Paul | |
| Voice in the Wind | Michel Michelet | |
| Wilson | Alfred Newman | |
| The Woman of the Town | Miklós Rózsa | |
| Scoring of a Musical Picture | ||
| Cover Girl | Morris Stoloff and Carmen Dragon | |
| Brazil | Walter Scharf | |
| Higher and Higher | Constantin Bakaleinikoff | |
| Hollywood Canteen | Ray Heindorf | |
| Irish Eyes Are Smiling | Alfred Newman | |
| Knickerbocker Holiday | Werner Heymann and Kurt Weill | |
| Lady in the Dark | Robert Emmett Dolan | |
| Lady, Let's Dance | Edward Kay | |
| Meet Me in St. Louis | Georgie Stoll | |
| The Merry Monahans | Hans J. Salter | |
| Minstrel Man | Ferde Grofé and Leo Erdody | |
| Sensations of 1945 | Mahlon Merrick | |
| Song of the Open Road | Charles Previn | |
| Up in Arms | Louis Forbes and Ray Heindorf | |
| 1945 (18th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| Spellbound | Miklós Rózsa | |
| The Bells of St. Mary's | Robert E. Dolan | |
| Brewster's Millions | Louis Forbes | |
| Captain Kidd | Werner Janssen | |
| The Enchanted Cottage | Roy Webb | |
| Flame of Barbary Coast | Morton Scott and Dale Butts | |
| G. I. Honeymoon | Edward J. Kay | |
| G. I. Joe | Louis Applebaum and Ann Ronell | |
| Guest in the House | Werner Janssen | |
| Guest Wife | Daniele Amfitheatrof | |
| The Keys of the Kingdom | Alfred Newman | |
| The Lost Weekend | Miklós Rózsa | |
| Love Letters | Victor Young | |
| The Man Who Walked Alone | Karl Hajos | |
| Objective, Burma! | Franz Waxman | |
| Paris Underground | Alexandre Tansman | |
| A Song to Remember | Miklós Rózsa and Morris Stoloff | |
| The Southerner | Werner Janssen | |
| This Love of Ours | Hans J. Salter | |
| The Valley of Decision | Herbert Stothart | |
| The Woman in the Window | Arthur Lange and Hugo Friedhofer | |
| Scoring of a Musical Picture | ||
| Anchors Aweigh | Georgie Stoll | |
| Belle of the Yukon | Arthur Lange | |
| Can't Help Singing | Jerome Kern (p.n.) and Hans J. Salter | |
| Hitchhike to Happiness | Morton Scott | |
| Incendiary Blonde | Robert E. Dolan | |
| Rhapsody in Blue | Ray Heindorf and Max Steiner | |
| State Fair | Alfred Newman and Charles Henderson | |
| Sunbonnet Sue | Edward J. Kay | |
| The Three Caballeros | Edward Plumb, Paul Smith and Charles Wolcott | |
| Tonight and Every Night | Marlin Skiles and Morris Stoloff | |
| Why Girls Leave Home | Walter Greene | |
| Wonder Man | Louis Forbes and Ray Heindorf | |
| 1946 (19th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| The Best Years of Our Lives | Hugo Friedhofer | |
| Anna and the King of Siam | Bernard Herrmann | |
| Henry V | William Walton | |
| Humoresque | Franz Waxman | |
| The Killers | Miklós Rózsa | |
| Scoring of a Musical Picture | ||
| The Jolson Story | Morris Stoloff | |
| Blue Skies | Robert Emmett Dolan | |
| Centennial Summer | Alfred Newman | |
| The Harvey Girls | Lennie Hayton | |
| Night and Day | Ray Heindorf and Max Steiner | |
| 1947 (20th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| A Double Life | Miklós Rózsa | |
| The Bishop's Wife | Hugo Friedhofer | |
| Captain from Castile | Alfred Newman | |
| Forever Amber | David Raksin | |
| Life with Father | Max Steiner | |
| Scoring of a Musical Picture | ||
| Mother Wore Tights | Alfred Newman | |
| Fiesta | Johnny Green | |
| My Wild Irish Rose | Ray Heindorf and Max Steiner | |
| Road to Rio | Robert Emmett Dolan | |
| Song of the South | Daniele Amfitheatrof, Paul Smith and Charles Wolcott | |
| 1948 (21st) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| The Red Shoes | Brian Easdale | |
| Hamlet | William Walton | |
| Joan of Arc | Hugo Friedhofer | |
| Johnny Belinda | Max Steiner | |
| The Snake Pit | Alfred Newman | |
| Scoring of a Musical Picture | ||
| Easter Parade | Johnny Green and Roger Edens | |
| The Emperor Waltz | Victor Young | |
| The Pirate | Lennie Hayton | |
| Romance on the High Seas | Ray Heindorf | |
| When My Baby Smiles at Me | Alfred Newman | |
| 1949 (22nd) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| The Heiress | Aaron Copland | |
| Beyond the Forest | Max Steiner | |
| Champion | Dimitri Tiomkin | |
| Scoring of a Musical Picture | ||
| On the Town | Roger Edens and Lennie Hayton | |
| Jolson Sings Again | Morris Stoloff and George Duning | |
| Look for the Silver Lining | Ray Heindorf | |
1950s
1960s
1970s
1980s
1990s
2000s
2010s
2020s
| Year | Film | Nominees |
|---|---|---|
| 2020/21 | Soul | Trent Reznor, Atticus Ross and Jon Batiste |
| Da 5 Bloods | Terence Blanchard | |
| Mank | Trent Reznor and Atticus Ross | |
| Minari | Emile Mosseri | |
| News of the World | James Newton Howard | |
| 2021 (94th) | ||
| Dune | Hans Zimmer | |
| Don't Look Up | Nicholas Britell | |
| Encanto | Germaine Franco | |
| Parallel Mothers | Alberto Iglesias | |
| The Power of the Dog | Jonny Greenwood | |
| 2022 (95th) | ||
| All Quiet on the Western Front | Hauschka[note 11] | |
| Babylon | Justin Hurwitz | |
| The Banshees of Inisherin | Carter Burwell | |
| Everything Everywhere All at Once | Son Lux | |
| The Fabelmans | John Williams | |
| 2023 (96th) | ||
| Oppenheimer | Ludwig Göransson | |
| American Fiction | Laura Karpman | |
| Indiana Jones and the Dial of Destiny | John Williams | |
| Killers of the Flower Moon | Robbie Robertson (p.n.) | |
| Poor Things | Jerskin Fendrix |
Notes
- From 1934 until 1937, nominated films were represented by the head of the film studio's music department rather than the composer. Each film's actual composer(s) are listed in parentheses.
- Captain Blood was not officially nominated for this award, but appears in Academy records because it placed third in voting as a write-in candidate in 1935.
- From 1937 until 1945, film studios could submit one eligible film of their choosing, guaranteeing it a nomination.
- Blacklisted composer Larry Adler's name was removed from American prints of the British-made Genevieve. The film's arranger and orchestrator Muir Mathieson was credited instead and received an Oscar nomination. In 1986, the Academy's Board of Governors removed Mathieson's name from the nomination and gave it to Adler.
- In 1957, dramatic and comedy films competed with musicals in a combined category called Music – Scoring. Fifteen scores were shortlisted with ten from dramatic and comedy films and five from musicals. Voting resulted in no musical nominees.
- Limelight was originally released in 1952, but had never screened theatrically in Los Angeles until 1972, at which point it became eligible for Oscar consideration.
- Nino Rota was nominated for The Godfather in 1972, but the nomination was revoked after it was discovered Rota had reused music from the 1958 Italian film Fortunella. The Academy's entire music branch revoted for a fifth nominee. They could either renominate Rota for The Godfather or select one of the five other shortlisted scores: Ben by Walter Scharf, Fellini's Roma by Rota, The Life and Times of Judge Roy Bean by Maurice Jarre, The Other by Jerry Goldsmith, or Sleuth by John Addison. Sleuth received the most votes and became the fifth nominee.
- From 1995 until 1998, Best Original Score was split into Original Dramatic Score and Original Musical or Comedy Score. For musicals and comedies, songwriters and lyricists along with orchestral underscore composers were eligible for nomination.
- Lisa Gerrard and Klaus Badelt also received screen credit for the Gladiator score, but only Zimmer was deemed eligible for the nomination.
- The eligibility period for the 93rd ceremony was exceptionally extended through to February 28, 2021, due to the impact of the COVID-19 pandemic.
- The ceremony addressed him as Volker Bertelmann.
Records
Superlatives
These are only for nominations in the Scoring categories. Nominations in other categories, such as the Original Song category, are not included.
| Category | Name | Superlative | Notes |
|---|---|---|---|
| Most Awards | Alfred Newman | 9 awards | Awards resulted from 41 nominations |
| Most Nominations | John Williams | 49 nominations | Nominations resulted in 5 awards |
| Most Nominations without an Award | Thomas Newman / Alex North | 14 nominations |
Age superlatives
| Record | Composer | Film | Age |
|---|---|---|---|
| Oldest winner | Ennio Morricone | The Hateful Eight | 87 years, 110 days |
| Oldest nominee | John Williams | Indiana Jones and the Dial of Destiny | 91 years, 349 days |
| Youngest winner | Prince | Purple Rain | 26 years, 291 days |
| Youngest nominee | 26 years, 244 days |
Only one composer has won two Scoring Oscars the same year: in 1973, Marvin Hamlisch won Original Dramatic Score for The Way We Were and Best Adaptation Score, for The Sting. Hamlisch also won Best Song that year for The Way We Were, making him the only composer to win three music Oscars in the same year.
Only one composer has won Oscars three years in a row: Roger Edens won for Easter Parade (1948), On the Town (1949) and Annie Get Your Gun (1950).
Eight composers have won Oscars two years in a row:
- Ray Heindorf won for Yankee Doodle Dandy (1942) and This Is the Army (1943).
- Franz Waxman won for Sunset Boulevard (1950) and A Place in the Sun (1951).
- Alfred Newman won for With a Song in My Heart (1952) and Call Me Madam (1953). He won again two years in a row for Love Is a Many-Splendored Thing (1955) and The King and I (1956).
- Adolph Deutsch won for Seven Brides for Seven Brothers (1954) and Oklahoma! (1955).
- André Previn won for Gigi (1958) and Porgy and Bess (1959). He won again two years in a row for Irma la Douce (1963) and My Fair Lady (1964).
- Leonard Rosenman won for Barry Lyndon (1975) and Bound for Glory (1976).
- Alan Menken won for Beauty and The Beast (1991) and Aladdin (1992).
- Gustavo Santaolalla won for Brokeback Mountain (2005) and Babel (2006).
Female nominees
As of 2023, only 10 women have been nominated in music score categories: Ann Ronell, Tylwyth Kymry aka Meg Karlin, Angela Morley, Marilyn Bergman, Rachel Portman, Anne Dudley, Lynn Ahrens, Hildur Guðnadóttir, Germaine Franco, and Laura Karpman. Kymry, Bergman, and Ahrens were nominated for their contribution as lyricists.
Four women have won in the scoring categories. Three are composers: Rachel Portman, who won for Emma (1996); Anne Dudley, who won for The Full Monty (1997); and Hildur Guðnadóttir, who won for Joker (2019). The fourth is lyricist Marilyn Bergman, who won for Yentl (1983) in the Original Song Score category, sharing the award with co-lyricist Alan Bergman (her husband) and composer Michel Legrand. Guðnadóttir is the only woman to win the award under no qualifications; Bergman won for Best Song Score while Portman and Dudley won for Best Musical or Comedy Score.
The female composers nominated for multiple Scoring Oscars are Rachel Portman, who was nominated for Emma (1996) (for which she won for Best Musical or Comedy Score), The Cider House Rules (1999), and Chocolat (2000); and Angela Morley, who was nominated twice in the Original Song Score or Adaptation Score category for The Little Prince (1974) and The Slipper and the Rose (1976).
Notable nominees
Dmitri Shostakovich and Duke Ellington were both nominated the same year but lost to the arrangers of West Side Story.
The scores of Midnight Express by Giorgio Moroder in 1979, Slumdog Millionaire by A. R. Rahman in 2009, and The Social Network by Trent Reznor and Atticus Ross in 2011 are the only scores with electronic-based music ever to win the award. In addition, the electronic-based scores of Witness by Maurice Jarre in 1986, Rain Man by Hans Zimmer in 1989, and Her by William Butler, and Owen Pallett in 2014 have also been nominated.
Noted nominated composers known for their music mostly outside the film world include: Aaron Copland, Kurt Weill, Gian Carlo Menotti, Philip Glass, John Corigliano, Peter Maxwell Davies, Randy Newman, Richard Rodney Bennett, Stephen Schwartz, Andrew Lloyd Webber, Artie Shaw, Trent Reznor, Quincy Jones, Herbie Hancock, Jon Batiste, and Jonny Greenwood.
Rock musicians and pop stars are most often nominated in the songwriting category. These popular performers were nominated in the Scoring categories: The Beatles, Prince, Pete Townshend, Rod McKuen, Isaac Hayes, Kris Kristofferson, Quincy Jones, Randy Newman, Anthony Newley, Paul Williams, Tom Waits, David Byrne, Ryuichi Sakamoto, Trent Reznor, and Matthew Wilder.
Record producers George Martin (The Beatles) and Jerry Wexler (Atlantic Records) also received nominations in the Scoring categories.
Multiple nominations
The following is a list of composers nominated more than once and winning at least one Academy Award (in this category). This list is sorted by number of awards, with the number of total nominations listed in parentheses. These do not include nominations (or awards) in the Best Original Song category.
- 9: Alfred Newman (43)
- 5: John Williams (48)[lower-alpha 1]
- 4: Johnny Green (12)
- 4: André Previn (11)
- 4: John Barry (6)
- 4: Alan Menken (5)
- 3: Max Steiner (24)
- 3: Ray Heindorf (17)
- 3: Morris Stoloff (17)
- 3: Miklós Rózsa (16)
- 3: Dimitri Tiomkin (14)
- 3: Maurice Jarre (8)
- 3: Ken Darby (6)
- 3: Roger Edens (6)
- 3: Saul Chaplin (5)
- 3: Adolph Deutsch (5)
- 2: Hans Zimmer (12)
- 2: Alexandre Desplat (11)
- 2: Franz Waxman (11)
- 2: Henry Mancini (7)
- 2: Lennie Hayton (6)
- 2: Michel Legrand (6)
- 2: Irwin Kostal (5)
- 2: Marvin Hamlisch (4)
- 2: Leonard Rosenman (4)
- 2: Ralph Burns (3)
- 2: Trent Reznor (3)
- 2: Atticus Ross (3)
- 2: Howard Shore (3)
- 2: Ludwig Göransson (2)
- 2: Gustavo Santaolalla (2)
- 1: Jerry Goldsmith (17)
- 1: Victor Young (17)
- 1: Herbert Stothart (11)
- 1: Elmer Bernstein (10)
- 1: Hugo Friedhofer (9)
- 1: Lionel Newman (9)
- 1: Georgie Stoll (9)
- 1: James Horner (8)
- 1: Leigh Harline (7)
- 1: Charles Previn (7)
- 1: Paul Smith (7)
- 1: Dave Grusin (6)
- 1: Ennio Morricone (6) Also received an Academy Honorary Award.
- 1: Leslie Bricusse (5)
- 1: Georges Delerue (5)
- 1: Richard Hageman (5)
- 1: Bernard Herrmann (5)
- 1: Nelson Riddle (5)
- 1: Oliver Wallace (5)
- 1: Aaron Copland (4)
- 1: Ernest Gold (4)
- 1: Leo F. Forbstein (4)
- 1: Richard M. Sherman (4)
- 1: Robert B. Sherman (4)
- 1: Louis Silvers (4)
- 1: Frank Churchill (3)
- 1: Elliot Goldenthal (3)
- 1: Erich Wolfgang Korngold (3)
- 1: Bronisław Kaper (3)
- 1: Dario Marianelli (3)
- 1: Rachel Portman (3)
- 1: Stephen Schwartz (3)
- 1: Harry Sukman (3)
- 1: Gabriel Yared (3)
- 1: John Addison (2)
- 1: Luis Bacalov (2)
- 1: Robert Russell Bennett (2)
- 1: Hauschka (2)
- 1: Jay Blackton (2)
- 1: John Corigliano (2)
- 1: Michael Giacchino (2)
- 1: Michael Gore (2)
- 1: W. Franke Harling (2)
- 1: Justin Hurwitz (2)
- 1: A. R. Rahman (2)
- 1: Heinz Roemheld (2)
- 1: Nino Rota (2)
- 1: Leo Shuken (2)
The following composers have been nominated for a Best Original Score Oscar more than once but have yet to garner one. The number of nominations is listed in parentheses. These do not include nominations (or awards) in the Best Original Song category.
Deceased
- Alex North (14) Received an Academy Honorary Award.
- Walter Scharf (9)
- Roy Webb (7)
- Werner Janssen (6)
- George Duning (5)
- Edward Ward (5)
- Constantin Bakaleinikoff (4)
- Edward H. Plumb (4)
- Frank Skinner (4)
- Frank De Vol (4)
- Richard Rodney Bennett (3)
- George Bruns (3)
- Louis Gruenberg (3)
- Marvin Hatley (3)
- Ernst Toch (3)
- Charles Wolcott (3)
- Daniele Amfitheatrof (2)
- Nat W. Finston (2)
- Frederick Hollander (2)
- Jóhann Jóhannsson (2)
- Jack Nitzsche (2) Has won 1 Oscar Award for Original Song.
- Richard Robbins (2)
- Victor Schertzinger (2)
- Meredith Willson (2)
Living
- Thomas Newman (14)
- Randy Newman (9) Has won 2 Oscar Awards for Original Song.
- James Newton Howard (7)
- Lalo Schifrin (5) Received an Academy Honorary Award.
- Danny Elfman (4)
- George Fenton (4)
- Alberto Iglesias (4)
- Marc Shaiman (4)
- Philip Glass (3)
- Quincy Jones (3) Has won the Jean Hersholt Humanitarian Award, a special Academy Award.
- Nicholas Britell (3)
- Carter Burwell (3)
- Marco Beltrami (2)
- Terence Blanchard (2)
- Patrick Doyle (2)
- Jonny Greenwood (2)
- David Hirschfelder (2)
See also
- Academy Award for Best Original Song
- BAFTA Award for Best Original Music
- Critics' Choice Movie Award for Best Score
- Golden Globe Award for Best Original Score
- Grammy Award for Best Instrumental Composition
- Grammy Award for Best Pop Instrumental Performance
- Grammy Award for Best Score Soundtrack for Visual Media
- Grammy Award for Best Compilation Soundtrack for Visual Media
- Grammy Award for Best Arrangement, Instrumental or A Cappella
- Saturn Award for Best Music
Notes
- Also received 5 nominations for Best Original Song, which brings his total to 53 - the most nominated person in all of the music categories combined, and the most nominated living individual in any Oscars category
References
- "Rule Sixteen: Special Rules for the Best Picture of the Year Award | Rules for the 85th Academy Awards | Academy of Motion Picture Arts & Sciences". Oscars.org. 2012-08-24. Archived from the original on 2013-12-11. Retrieved 2014-05-15.
- "94th Oscars Rules. Complete Rules. Rule Fifteen, Special Rules for the Music Awards" (PDF). Oscars.org. Academy of Motion Picture Arts and Sciences. 2021-06-30. p. 22. Archived (PDF) from the original on 2021-06-30.
- Lochner, Jim (18 May 2010). "1934: The Year Oscar Scored". filmscoreclicktrack.com. Archived from the original on 2017-11-24.
- "1944". Oscars.org. Retrieved 2020-01-28.
- Elias, Justine (12 March 2000). "OSCAR FILMS/OSCAR FILMS/THE RULES; Squeezing Music Into Pigeonholes". New York Times.
- Hammond, Pete (April 28, 2020). "Oscars Keeping Show Date But Make Big News As Academy Lightens Eligibility Rules, Combines Sound Categories, Ends DVD Screeners and More". Deadline Hollywood.
- "Award rules and campaign regulations approved for 94th Oscars". oscars.org. 30 June 2021.
- "Rules & Eligibility". Oscars.org - Academy of Motion Picture Arts and Sciences. 28 July 2014.
- "The Official Academy Awards Database". Academy of Motion Picture Arts and Sciences. Archived from the original on February 27, 2009. Retrieved January 11, 2018.
- "1957 Academy Award Voting Rules". Academy of Motion Picture Arts and Sciences. 1957. Retrieved January 10, 2018.
- "Vote Settles Oscar Tunes". Billboard. March 17, 1973. Retrieved December 31, 2017.
- "Academy Awards 2017: Complete list of Oscar winners and nominees". Los Angeles Times. February 26, 2017. Retrieved January 8, 2018.
External links
- Oscars.org (official Academy site)
- The Academy Awards Database (official site)
- Oscar.com (official ceremony promotional site)
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